Gone with the Wind Essay

bypast with the sprain is a rent based on Margaret Mitchells book with the same title. Tagged as one of the around memorcapable be intimate stories in American hi smear, bygone with the roam is not solely a narration of love between Scarlett O Hara and Rhett butler but is withal a story of a womans throw together to keep her family alive through eld of war. Set against the American civilized warfare, the film is mainly influenced by the events of that time. We get a glimpse of the social bodily structures of the 1800s and of the roles judge of women at that time. B. MEDIAThe film, despite its historical background, is much of a dramatic manifestation preferably than a documentary of the events during the American Civil warfare. Done in Technicolor, the film features histrionics practice of medicine with a touch of terra firma to go well with the Atlanta and Jonesboro settings. The music was more often than not passively utilise in the background, segued to indic ate change of scenes. However, there were round scenes when music was an integral part, enhancing the emotions and actions pictured in the film. Being a really gray film, at peace(p) with the Wind does not take the special effects that movies nowadays acquire.It is, however, impelling in recreating the Civil struggle and reservation the viewers feel what it would have been standardized to be in that situation. Explosions and gunfire were utilize to reestablish the films setting. Shots were rattling conventional, using wide shots to establish a scene and close-ups to enhance emotional integrity. Gone with the Wind, featuring mostly Southern characters, includes a superfluity of characters speaking with a Southern drawl. The oral communication was mostly contemporary, with a few lingo usages here and there.Hats off to the well-known actors much(prenominal) as Clark Gable (Rhett Butler), Vivien Leigh (Scarlett OHara), Leslie Howard (Ashley Wilkes), and Olivia de Havilla nd (Melanie Hamilton) for twist off the characters originally designed by Margaret Mitchell. They were excellent actors and they gave life to characters recreated in this screenplay by Sidney Howard, though the story was flavorful rich that it can be portrayed by anyone with good acting skills. Featuring well-known actors, though, helped conjure up the film and possibly helped in raking in big money for the producer David O. Selznick. C. kernelThe film offered abundant source of memorable scenes. In one of the earlier scenes, we involve mummy helping Scarlett get devise for the Wilkess barbeque party. Instead of a grumpy, complaining slave, Mammy seem to be in high spirits and comely happy helping out the O Hara sisters. though this highlights the sad social structure existent at the time of the movie, Mammys strong hold on Scarlett and her dont give me codswallop approach to Scarletts usually hard-to-resist charms usher how despite the racial structure of the generation African-Americans play an integral role in the American household.However, in another scene, African-Americans were depicted in a negative way. When Melanie Hamilton was most to give birth, Prissy lets it slip that she is lettered in midwifery. At a crucial point of the childbirth though, Prissy panics and admits, Lawzy, we got to have a doctor. I dont know nothin bout birthin babies. This is eye-catching in the sense that is glorifies one of the stereotypes associated to African-Americans. The way Scarlett O Hara acts is also often a point of contention in the movie.Though shown as a strong woman who was able to carry her family through bad times, Scarlett was also shown to be clingy and desperate in most scenes. This was most apparent during the Wilkess party, when she choreographed the on the whole afternoon to catch Ashleys attention. In all the scenes mentioned, the main issue rotate around racial, social, and cultural boundaries. The scenes depicted how farthest along societal rules were during the setting of the movie.Though often criticized for being too tilt on stereotypical portrayals, Gone with the Wind still is in truth much a picture of the truth of that existed back then. D. turn Victor Fleming, the credited managing director of Gone with the Wind, was mostly an action film director and had his first hand at romanticist drama with the film in discussion. unmatchable cannot say, though, that whatever biases the film had been his fault. Gone with the Wind is mostly producer-driven and Fleming may only have marginal influence on the films outcome.And since the film was highly-based on the novel, the biases can be attributed to what Margaret Mitchell wrote. (Myrick 126) E. EFFECTIVENESS / historical CONTEXT Though very diametrical from films that most of us are used to nowadays, Gone with the Wind was very hard-hitting in evoking the emotions it aimed for. The combination of the restructuring of the Civil War and the powerful acting a ccounts for the films effectiveness. The combination of both plus its can on a historical situation also points to why the film was very profitable.Every American knows of the horrors that the Civil War brought us and the films effective depiction of this point in account made everyone love the film more. solely in all, the film with its combination of a moving plot, powerful cast, and good motion-picture photography was worth a watch. Though mostly dramatic than historical, anyone who wants to relive the Civil War can give this movie a shot. WORKS CITED Myrick, Susan. White Columns in Hollywood Reports from the GWTW Sets. Macon, Georgia Mercer University Press, 1982.